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Artforum.com Critics’ Pick: David Askevold at the Art Gallery of Nova Scotia

Artforum.com Critics’ Pick: David Askevold at the Art Gallery of Nova Scotia

by Gabby | May 15, 2013 | Reviews

Last month, when I had the opportunity to travel to Halifax for C magazine’s symposium on art criticism, I also had the pleasure of joining a half-day tour of most of Halifax’s galleries, organized by Visual Arts Nova Scotia. It was a great chance to see...
Artforum.com Critics’ Pick: Jon Sasaki at Jessica Bradley

Artforum.com Critics’ Pick: Jon Sasaki at Jessica Bradley

by Gabby | Feb 22, 2013 | Reviews

When I first started to regularly write reviews four years ago, Jon Sasaki’s show—with Jessica Vallentin—at the now-defunct Red Bull 381 Projects was one of the first exhibitions I wrote about. It’s been a pleasure to follow his work since then. His...
Artforum.com Critics’ Pick: Jason de Haan at Clint Roenisch Gallery

Artforum.com Critics’ Pick: Jason de Haan at Clint Roenisch Gallery

by Gabby | Apr 13, 2012 | Reviews

Two art critics whose work I admire—Sholem Krishtalka over at the Toronto Standard, and Murray Whyte at the Toronto Star—have already espoused all of the wonderful qualities at play in Jason de Haan’s sophomore exhibition at Clint Roenisch Gallery, “Year...
Artforum.com Critics’ Pick: Valerie Blass at the Musee d’art contemporain de Montreal

Artforum.com Critics’ Pick: Valerie Blass at the Musee d’art contemporain de Montreal

by Gabby | Feb 29, 2012 | Reviews

Earlier this month, I had the good fortune to spend a weekend in Montreal just as a bunch of excellent shows were opening. My favourites, though, were the three solo exhibitions by contemporary women artists currently on view at the Musée d’art contemporain de...
Artforum.com Critics’ Pick: “Coming After” at The Power Plant, Toronto

Artforum.com Critics’ Pick: “Coming After” at The Power Plant, Toronto

by Gabby | Jan 20, 2012 | Reviews

It felt like The Power Plant had me in mind as a viewer when they planned their winter programming. Not only are they presenting a selection of photographs from a new body of work by Stan Douglas (curated by Melanie O’Brian), but concurrently showing is...
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